A Refusal of Fate

[Completed] ''I was born in flames and chaos. In one moment, I didn't exist at all. In another, air was tearing through the flesh of my lungs.''Deep in an unknown forest, a young woman woke up alone and confused. She had no knowledge of her past, what she was, or who she was. Why was she in this world at all?Fate drove her into the hands of a family of vampires, all of whom brought relief in the slightest touch of her skin. But their touch was more than addicting. With each stroke, mysterious etches appeared on her flesh, divulging information thought to be lost to the world; information of magic, power, and a viciously murdered coven of witches. With no past and an uncertain future, she must find out her purpose in this life before the supernatural world takes her for all she has to give. Even more so, she must attempt to understand a craving she has for the dangerous vampire family she's found herself enslaved to; a craving to be touched.All Rights Reserved © 2015{{Warning: Some scenes may be unsuitable for audiences below the age of 15 and offensive to those of all ages. Read at your own risk.}}This story is a multi-lover romance novel. Proceed with caution because it will get heated!Highest Ranking: #1 in Vampire

A detailed script template for shifting realities.~ a google document is included in the last chapter.

TO LISTEN TO THE AUDIOBOOK OF THE LAST NECROMANCER FOR FREE check out my YouTube channel: https://www.youtube.com/@cjarcherauthorFor five years, Charlotte (Charlie) Holloway has lived as a boy in the slums. But when one theft too many gets her arrested, her only means of escape lies with a dead man. Charlie hasn't raised a spirit since she first discovered she could do so five years ago. That time, her father banished her. This time, she brings even more trouble upon herself.People are now hunting Charlie all over London, but only one man succeeds in capturing her.Lincoln Fitzroy is the mysterious head of a secret organization on the trail of a madman who needs a necromancer to control his newly "made" creatures. There was only one known necromancer in the world - Charlotte - but now there appears to be two. Lincoln captures the willful Charlie in the hopes the boy will lead him to Charlotte. But what happens when he discovers the boy is in fact the young woman he's been searching for all along? And will she agree to work for the man who held her against her will, and for an organization she doesn't trust?Because Lincoln and his ministry might be just as dangerous as the madman they're hunting.

Lily Crawford was once loved and treasured by her whole pack but that stopped on her 14th birthday when she didn't shift like she was supposed to. Instantly she became an outsider, a slave, a stranger in her own pack. She gave up on having a mate and being loved from anyone other than her brother. That all changed when an Alpha from a neighborhood pack visited her pack and uttered the word she thought she'd never hear "Mate".--He locked the door behind us, pressing me against its hard surface. "Mine" He growled pressing his face against my neck, breathing in my scent."Stop that" I yelled, tears streaming down my face. I tried to push him away from me but he didn't budge. "Just reject me already". "I won't reject you" His voice was low and dangerous. Was he worse than I thought? He will actually make me think he wanted me and then break my heart into a tiny million pieces."Well then I will. I, Lily Crawford reject you Logan Wa-" Before I could finish he slammed me harder against the wall and covered my mouth with his hand. "Don't you fucking dare" He yelled punching the door beside my face. I flinched back but that didn't stop him. "I am your mate and whether you like or not you are now mine. And mine means, no one touches you, no one talks to you and no one fucking looks at you" He yelled again. Moon goddess, please help me.

"Through the Looking-Glass, and What Alice Found There" is the sequel to Alice's Adventures in Wonderland. The themes and settings of Through the Looking-Glass make it a kind of mirror image of Wonderland: the first book begins outdoors, in the warm month of May (4 May), uses frequent changes in size as a plot device, and draws on the imagery of playing cards; the second opens indoors on a snowy, wintry night exactly six months later, on 4 November (the day before Guy Fawkes Night), uses frequent changes in time and spatial directions as a plot device, and draws on the imagery of chess.

"I'm in love with you."How many times would I have to think about this, how many times, before she could hear it, feel it, see it in my eyes?"I'm in love with you."How could I make her see without telling her, without scaring her off... without losing her. I couldn't lose her.

I wanted to have a place to show my Oc, I know there will be like two people who see this.

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